Current monitors force filmmaking compromises due to a lack of brightness & brightness range (dynamic range). Expose for highlights and lose shadow detail or shoot in Log with a flat, washed out image. Enter the Ninja Flame, a 7" AtomHDR 1500nit Field Monitor with 4K/HD 10-bit ProRes/DNx Recording over HDMI. With the AtomHDR engine, it has the brightness and dynamic range to show all the detail of HDR Log, at all brightness ranges, with natural, vibrant colors.
SCENES IGNITE WITH 1500NITS OF LIGHT
Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional standard dynamic range (SDR/Rec709) video at high brightness for outdoor monitoring.
Simply pick the right mode, HDR or High Bright SDR, and get busy setting up your shot on the premium 7" display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.
GET MORE FROM YOUR DSLR
The perfect partner for DSLR and Mirrorless cameras with Log output over HDMI. From gimbal operators to Corporate to Indy filmmakers, your recordings are instantly upgraded to the defacto standard for Hollywood, Indie & Broadcasters (ProRes and DNxHR), ensuring you're not technically rejected in Post and letting you see the detail of your camera's Log on set with natural colors on the calibrated 7" AtomHDR High Bright monitor.
AFFORDABLE, RELIABLE MEDIA
The combination of high capacity media with recording direct from the sensor means that the conventional 30min barrier imposed by many cameras can be bypassed.
Recording 4K and high frame rate HD within the camera might seem enough but unless you record with the right codec you're restricting flexibility in post and even run the risk of having your footage technically rejected. Along with the high pixel density of 4K, the Ninja Flame records higher resolution 10-bit color information, more precise yet efficient 4:2:2 color encoding and to visually lossless, edit-ready codecs like Apple ProRes or AVID DNxHR.
Now you're recording professionally, capturing full individual frames just like film and opening up more creativity in post and grading. Additionally, bypassing internal recording also bypasses the 30min recording barrier found on many Mirrorless/DSLR cameras.