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The GFX100S is a new generation of large format digital camera, designed to suit a new generation of creators. The 102MP back-illuminated CMOS sensor combines with the X-Processor 4 quad-core CPU to deliver images of astonishing quality and professional 4K/30p video. The camera’s five-axis In-Body Image Stabilization provides up to 6 stops of vibration reduction, while phase detection autofocus pixels, covering nearly 100% of the frame, work at speeds of up to 0.18 sec in light as low as -5.5EV. Have the freedom to create, even when the light begins to fade, and do it knowing that Fujifilm’s legendary color science will deliver the beautiful tones it is renowned for time and time again. Considering that all this is housed in a camera body comparable in size to many full-frame cameras, it’s clear that FUJIFILM GFX100S is blazing a new trail in the worlds of photography and filmmaking.
ULTIMATE RESOLUTION, DEPENDABLE PROCESSING
Powered by Fujifilm’s high-performance X-Processor 4 quad-core CPU, GFX100S utilizes its 102MP, back-illuminated large format CMOS sensor to create truly stunning results. Create remarkably detailed still images that possess amazing color fidelity, and rich shadow detail, with enough dynamic range to allow for astonishing push and pull adjustments in post-production. Or, use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver-screen.
SMALL, BUT STEADY
Sitting at the heart of GFX100S is a newly developed shutter and In-Body Image Stabilization (IBIS) system that helps ensure you always make the most of the extreme resolution of the camera’s 102MP imaging sensor. While reduced in size, compared to their counterparts in GFX100, both elements offer incredible performance, with the new shutter capable of 5fps continuous shooting and the unique, five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction. With such outstanding performance, GFX100S frees you from a tripod and lets you keep creating even when the light is low.
THE SHARP END OF AF TECHNOLOGY
With an advanced phase detection autofocus (AF) system, GFX100S spearheads a whole new era of large format digital camera systems. An updated autofocus algorithm brings subjects into focus in as quickly as 0.18 sec, even in light levels as low as -5.5EV. This extraordinary performance is strengthened by the presence of phase detect autofocus pixels across nearly 100% of the frame, resulting in complete precision regardless of where the subject is. Combined with responsive tracking and reliable Face/Eye Detection, GFX100S lets large format photographers enjoy reliably accurate AF, even in low-contrast situations.
LARGE FORMAT HAS NEVER FELT LIKE THIS
The GFX system already has a strong reputation for taking high-resolution photography out of the studio and into the world, but GFX100S takes it even further. Not only does it have a super-tough magnesium-alloy casing, but it is also made to operate in temperatures as low as 14°F (-10°C) and to be dust- and weather-resistant for those off-road moments. At less than 2 pounds (900g), its compact body is comparable in size to many full-frame cameras, but it contains an incredible, 102MP sensor that’s almost twice the physical size of the typical full-frame sensor! Simply put, whether you are creating handheld portraits on location, or framing landscapes in the remote wilderness, GFX100S will truly let you harness the extreme power of large format.
ICONIC COLOR MADE FOR YOU
Fujifilm’s expertise in color science is legendary among image makers. For more than 86 years, Fujifilm has been responsible for some of the world’s most iconic photographs and movies. GFX100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital color processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color straight out of camera. With a new Film Simulation mode to explore - Nostalgic Neg. - it may just be worth it to spend a little more time here than you originally thought.
Image Sensor Type
Image Sensor Size
43.8 x 32.9 mm
11,648 x 8,736
Extended ISO Sensitivity
-5 to +5 EV (1/3 EV Steps)
RAW, TIFF, JPEG
Auto and Manual Focus
Phase Detection: 425
Mechanical Shutter: 1/4000 to 3600 Seconds 0 to 60 Minutes in Bulb Mode Electronic Shutter: 1/16000 to 3600 Seconds 0 to 60 Minutes in Bulb Mode Electronic Front Curtain Shutter: 1/4000 to 3600 Seconds 0 to 60 Minutes in Bulb Mode 1/4000 to 1/24 Second in Movie Mode
Mechanical Shutter: Up to 5 fps at 102 MP for up to 16 Frames (Raw) / 42 Frames (JPEG) Up to 2 fps at 102 MP for up to 45 Frames (Raw) / Unlimited Frames (JPEG) Electronic Shutter: Up to 2.9 fps at 102 MP for up to 23 Frames (Raw) / 64 Frames (JPEG)
10 sec. / 2 sec.
Interval timer Shooting
TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
H.265/MOV 4:2:0 10-Bit DCI 4K 4096×2160: 29.97p/25p/24p/23.98p (100-400Mb/s) up to Approx. 120min. UHD 4K 3840×2160: 29.97p / 25p / 24p / 23.98p (100-400Mb/s) up to Approx. 120min. DCI 2K 2048×1080: 59.94p/50p/29.97p/25p/24p/23.98p (50-200Mb/s) up to Approx. 120min. Full HD 1920×1080: 59.94p/50p/29.97p/25p/24p/23.98p (50-200Mb/s) up to Approx. 120min. H.264/MOV 4:2:0 8-Bit DCI 4K 4096×2160: 29.97p/25p/24p/23.98p (100-400Mb/s) up to Approx. 120min. UHD 4K 3840×2160: 29.97p / 25p / 24p / 23.98p (100-400Mb/s) up to Approx. 120min. DCI 2K 2048×1080: 59.94p/50p/29.97p/25p/24p/23.98p (50-200Mb/s) up to Approx. 120min. Full HD 1920×1080: 59.94p/50p/29.97p/25p/24p/23.98p (50-200Mb/s) up to Approx. 120min.
External Recording Modes
Raw 12-Bit DCI 4K 4096 x 2160: 29.97p/25p/24.00p/23.976p 4:2:2 10-Bit DCI 4K 4096 x 2160: 29.97p/25p/24.00p/23.976p
All Intra / Long GOP
Extended ISO Sensitivity
Monitor and Viewfinder
3-Way Tilting Touchscreen LCD
USB Type-C (USB 3.2 Gen 1), HDMI D (Micro), 3.5mm Headphone, 3.5mm Microphone, 2.5mm Sub-Mini, PC Sync Socket
NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh
Approx. 460 Shots
Twin Battery Charger for NP-W235 Battery
AC power adapter AC-5VJ
Dimensions (W x H x D)
5.9 x 4.1 x 3.4" / 150 x 104.2 x 87.2 mm
2 lb / 900 g (Body with Battery and Memory)
14 to 104°F / -10 to 40°C Operating Humidity: 10-80%
5.0Based on 4 Reviews
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I'm not sure my software and/or computer is up to handling this camera. My HDR software hasn't been updated to handle the GFX 100S raw files, and my computer chokes processing all that data. I've cropped images to 1/16 the area of the original and still can't see loss of detail. Who needs a telephoto lens when you can crop like that?
I bought the GFX 50R when it first arrived back in 2018: fantastic camera and glass, and ultimately it took a backseat to my Nikon gear as in my opinion I didn’t gain much with the larger sensor and a few extra megapixels. The GFX 100s however, is likely a game changer for me. I’m shooting mostly portraits with it right now, and there’s not a thing I would change. It’s lovely. And the glass is still heavy, but that’s a price you pay for the larger lenses. The results, both color and B&W, are stunning. I’m still getting warmed up with it; but heading South this weekend with a backpack, and the Nikon gear is staying home.
I’m also really happy we have such a great store and photo gang so close at Pictureline. No need to deal with the big NY houses any more.