Product Information
Big-Screen Monitoring Without the Tether
The Atomos Shinobi 7 RX is built for crews who want the clarity of a large, daylight-viewable monitor and the freedom of wireless viewing on set. Its 7-inch HDR touchscreen delivers a sharp, color-accurate image that’s easy to read whether you’re in bright sun or a controlled studio environment. By combining a high-brightness panel with built-in wireless video receiving, it becomes a go-anywhere display for directors, focus pullers, clients, and operators who need eyes on the shot without crowding the camera.
Responsive Control and Confident Focus
Direct camera control over USB-C brings practical efficiency to fast-paced shoots, allowing supported Canon, Fujifilm, Nikon, Panasonic, Sony, and Z CAM cameras to be adjusted straight from the monitor. Touch-to-focus support makes quick focus pulls feel natural, while the generous screen size helps reveal subtle details that smaller monitors can miss.
Professional Tools Powered by AtomOS
Running AtomOS 11, the Shinobi 7 RX provides a polished monitoring experience built around accuracy and speed. Exposure, focus, and framing tools are always close at hand, and the interface stays fluid even when multiple scopes are in use. Analysis Mode pulls key scopes into a single view, making it easy to judge signal integrity at a glance while keeping your attention on the scene.

Wireless Monitoring Made Practical
Integrated Wi-Fi allows the Shinobi 7 RX to receive video from the Atomos TX wireless transmitter or compatible RTSP H.264 streams. This makes it a natural fit for video village setups, director’s monitors, or preview displays connected to live switchers. With support for up to 4Kp30 or 1080p60 wireless signals and low-latency performance, it delivers a reliable picture without the cable runs.
Bright, Accurate Viewing Anywhere
The 1920 × 1200 touchscreen pushes up to 2200 nits of brightness, ensuring excellent visibility in virtually any lighting condition. Support for HDR standards including PQ and HLG, along with Log-to-Rec.709 monitoring, makes it well suited for modern HDR and Log workflows where confidence in exposure and color is critical.
Designed for Real-World Production
Lightweight construction keeps the Shinobi 7 RX easy to mount or handhold, while dual Sony L-series battery slots allow hot-swapping for uninterrupted operation throughout long shooting days. HDMI and SDI connectivity keep it equally capable as a traditional wired monitor, and USB-C power options add flexibility when powering from modern battery systems or camera rigs.
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Shinobi 7 RX 7" 4K HDMI/SDI HDR Monitor
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Wi-Fi antenna
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5x antenna tips (black, white, yellow, green, red)
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2x antenna caps
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USB-C 2.0 cable (1m)
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Limited 1-Year Warranty, Extended to 2 years on product registration.
| Display | |
|---|---|
| Size | 7-inch HDR screen with a calibrated peak brightness of 2200nits |
| Resolution | 1920 x 1080 |
| Aspect ratio | 16:10 native |
| Backlight Type | Edge-lit |
| Brightness (cdm2 / nits) | 2200 |
| Color Gamut | REC709 HDTV |
| Calibration support | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable |
| Color Pipeline | |
|---|---|
| Gamma | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format (17 & 33 points supported) |
| 3D LUT Down Stream | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | SDR Native / HDR HLG / HDR PQ / 709 LUT / User LUT |
| Video Input | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| Locking port | N/A |
| SDI | up to 1080p60 |
| Wi-Fi | Wi-Fi 6 |
| USB | 1 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit Video |
| Video Chroma Subsampling | 4:2:2 |
| Metadata | |
|---|---|
| HDMI | N/A |
| Network | |
|---|---|
| Wi-Fi | Wi-Fi 6 |
| Connectivity | |
|---|---|
| LANC | Yes |
| Audio In/Out | |
|---|---|
| HDMI | 2-channel, 24-bit |
| SDI | 8-channel, 24-bit |
| Headphone out | 3.5mm headphone jack, 2-channel |
| Timecode | |
|---|---|
| Embedded | HDMI (display only) |
| Time of day | Yes |
| Reference / Genlock input | No |
| LTC | No |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
|---|---|
| 4k DCI | 23.98 / 24 / 25 / 29.9 / 30 / 50 / 59.94 / 60p |
| 4k UHD | 23.98 / 24 / 25 / 29.9 / 30 / 50 / 59.94 / 60p |
| 2K DCI 2048 x 1080 | Yes |
| 1080p | 23.98 / 24 / 25 / 29.9 / 30 / 50 / 59.94 / 60 / 100 / 120p |
| 1080 PsF | Converted to P and looped out PsF |
| 1080i | 50 / 59.94 / 60i |
| 720p | 50 / 59.94 / 60p |
| Supported media | |
|---|---|
| SD | Update firmware & upload LUTs |
| File System | FAT32, NTFS |
| On screen tools | |
|---|---|
| MultiScope Analysis View | Image, waveform, histogram, & vectorscope |
| Waveform | 3 sizes – adjustable opacity & brightness |
| Histogram | 1 sizes – adjustable opacity & brightness |
| RGB parade | 3 sizes – adjustable opacity & brightness |
| Vector scope | 2 sizes – adjustable opacity & brightness |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4K |
| 2 x Zoom | Yes |
| 4 x Zoom | Yes |
| Focus peaking | 4 modes (color, black & white, outline, edge sharpening) with adjustable outline color & peaking intensity |
| Atomos False color | Yes, with scale |
| Zebra | Adjustable threshold (50% to 105%) |
| Isolate color channel | Blue only |
| Cine Frame Guides | Presets for 2.41, 2.35, 1.91, 1.9, 1.85, 16:9 |
| Social Frame guides | Presets for 9:16, 4:5, 2:3, 1:1, 5:4, 4:3, 3:2 |
| Safe areas | SMPTE safe title area – 93% & 90% |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x |
| Display Flip | Horizontal & vertical |
| External Device Control | |
|---|---|
| USB-C | Camera control for supported cameras via USB-C. Controllable functions: Record Trigger, White Balance, Shutter Speed, Shutter Angle (if supported by camera), Aperture, ISO, Camera Overlays, Record Indicator, Touch to Focus. USB-C port can also be used with external calibrators (no PC required). |
| Serial 2.5mm Jack | Calibration via optional USB to serial cable |
| Power | |
|---|---|
| Input voltage (battery) | 6.2V to 16.8V |
| Operating power | 26W |
| Compatible batteries | 2 x NPF L series |
| Continuous power | Via NPF battery or USB-C PD |
| DC-In Connector | Via Battery Eliminator (separate purchase) |
| USB PD IN | 45W capable, power supply required |
| USB PD OUT | Up to 13W |
| General | |
|---|---|
| Weight | 20.46 oz / 580g (excluding batteries and antennas) |
| Dimensions (W x H x D) | 7.8 x 5.2 x 1.5" / 198 x 133 x 39 mm |
| Mounting points | 1 x anti-rotation 1/4-inch top and bottom |
| Ambient Operating Temperature | Up to 40 degrees Celsius |
| Cooling | Heat sink + actively controlled fan |
| Construction | ABS polycarbonate |





