Product Information
Compact Powerhouse for Professional Video Workflows
The Atomos Ninja TX brings together advanced monitoring, high-performance recording, and seamless connectivity in a compact 5.2-inch device designed for modern video production. Built to support demanding creators and professional crews alike, it combines HDMI and 12G-SDI connectivity with powerful recording capabilities that reach up to 8Kp30. With support for industry-standard codecs including Apple ProRes, ProRes RAW, Avid DNx, H.265, and NDI 6, the Ninja TX delivers exceptional flexibility for a wide range of production pipelines.
At the center of the experience is the vibrant 5.2-inch IPS touchscreen, delivering 1500 nits of brightness for confident monitoring whether you're working under bright sunlight or inside a controlled studio environment. HDR support, 8- and 10-bit color processing, and Rec.709 accuracy ensure that what you see on screen reflects the true quality of your footage. Creators can also upload custom 3D LUTs and work with multiple log formats from major camera brands including Sony, Canon, Nikon, Panasonic, RED, ARRI, and more.
Designed for Modern Camera Control
Ninja TX integrates directly with many popular mirrorless cameras, allowing users to adjust settings such as white balance, ISO, shutter speed, and aperture using intuitive on-screen sliders. This streamlined control makes it easy to fine-tune exposure and camera settings without reaching for the camera body. A clear recording indicator around the screen provides instant confirmation whenever recording begins.
Touch-to-focus functionality adds another level of precision, letting users simply tap the screen to guide autofocus toward a specific subject. When paired with compatible cameras, this feature works alongside advanced focus tracking modes to keep subjects sharp and perfectly framed.
Built for Connected Productions
The Ninja TX is engineered with connectivity at its core. Integrated camera-to-cloud functionality allows footage to upload directly from the device to services like ATOMOSphere, Adobe Frame.io, or Dropbox, enabling remote collaboration and faster post-production workflows. NDI 6 support opens the door for live production environments, allowing the Ninja TX to integrate smoothly into network-based broadcast setups.
AirGlu timecode technology enables wireless synchronization across multiple cameras, recorders, and monitors using RF or Bluetooth, keeping productions aligned from the first frame to the last. Over-the-air firmware updates ensure the system remains current with the latest improvements and features.
Flexible Recording and Media Options
Recording performance is backed by versatile storage options designed for professional workflows. The Ninja TX includes a CFexpress Type B slot for high-speed recording, along with dual USB-C ports that support external storage devices. This flexibility allows creators to tailor their recording setup for extended shoots, high-bitrate codecs, or scalable storage solutions.
Beyond recording, the USB-C ports also support LUT transfers and compatible audio devices, expanding the Ninja TX into a central hub for monitoring and capture.
Precision Monitoring Tools
The Ninja TX includes a comprehensive collection of professional monitoring tools that help ensure accurate focus, exposure, and composition during production. Built-in features such as focus peaking, waveforms, RGB parade, vectorscope, false color, zebras, and customizable frame guides provide the visual feedback needed to make confident decisions on set. Anamorphic de-squeeze monitoring allows cinematographers working with anamorphic lenses to view the corrected image in real time.
For productions that demand reliability, Atomos has also introduced a reinforced cable-locking system designed to secure HDMI and USB-C connections. Locking brackets and compatible cables help prevent accidental disconnects, providing greater confidence in fast-moving production environments.
Efficient Design and Power Flexibility
The Ninja TX runs on the fast and responsive AtomOS Linux platform, delivering a refined interface and smooth performance across monitoring and recording functions. Its redesigned hardware architecture promotes cooler, quieter operation, helping it perform consistently during extended recording sessions.
Power options remain flexible to suit a variety of setups. The rear battery plate supports widely available NP-F L-series batteries for portable operation, while USB-C power delivery and optional DC solutions make it easy to integrate the monitor into larger studio rigs or continuous power setups.
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Ninja TX monitor-recorder
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USB-C locking cable adaptor
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USB-C locking cable (45cm)
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HDMI locking cable adaptor
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2 x Wi-Fi antennas
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5 x antenna tip sets (black, white, yellow, green, red)
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AirGlu antenna + antenna caps
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Quick Start Guide
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1-Year Manufacturer Warranty
| Physical | |
|---|---|
| Dimensions | 151mm x 92mm x 36mm |
| Weight | 400gms |
| Mount Points | 1 x anti-rotation 1/4-inch / 3/8-inch top and bottom |
| Environmental | |
|---|---|
| Ambient Operating Temperature | Up to 40 degrees Celsius |
| Construction | |
|---|---|
| Body | Aluminium with ABS plastic |
| Cooling | Actively controlled fan and heat sink |
| Power | |
|---|---|
| Input Voltage | 6.2V to 16.8V DC |
| Operating Power | Up to 30W |
| Multi-function Button | Power / lock screen |
| Continuous Power | Via NP-F battery or USB-C PD Power |
| DC In Connector | Via Battery Eliminator (optional) |
| DTAP | Up to 13W |
| USB PD IN | 45W capable, power supply required |
| USB PD OUT | Up to 13W |
| Display | |
|---|---|
| Size | 5.2-inch |
| Resolution | 1920 x 1080 |
| Backlight Type | Edge lit |
| Brightness | 1500 nits |
| Aspect Ratio | 16:9 |
| Color Gamut | Rec.709 |
| Calibration Support | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable |
| Color Pipeline | |
|---|---|
| Gamma | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format |
| 3D LUT Down Stream | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion | Log / HDR to HLG / PQ |
| Video Input | |
|---|---|
| HDMI | 1 x HDMI 2.0 |
| HDMI Locking Port | Bracket provided; HDMI locking cable purchased separately |
| SDI | 12G |
| Wi-Fi | Wi-Fi 6E |
| USB | 2 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit video |
| Video Chroma Subsampling | 4:2:2 |
| Video Output | |
|---|---|
| HDMI | 1 x HDMI (2.0) up to 4K60P |
| HDMI Locking Port | Optional |
| SDI | 12G |
| Wi-Fi | Wi-Fi 6E; W52/W53 bands: 5GHz operation for indoor use only. |
| USB | 2 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit video |
| Video Chroma Subsampling | 4:2:2 |
| Metadata | |
|---|---|
| HDMI | RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut |
| Wi-Fi | Wi-Fi 6E |
| USB | 2 x USB-C 3.0 |
| Connectivity | |
|---|---|
| Bluetooth | Yes |
| LANC | Yes |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | Yes |
| SDI to HDMI | Yes |
| Audio | |
|---|---|
| HDMI Audio | 8-channel, 24-bit |
| SDI Audio | 12-channel, 24-bit |
| Analogue Audio Line In | 3.5mm headphone jack, 2-channel input |
| Headphone Out | 3.5mm headphone jack, 2-channel |
| Timecode | |
|---|---|
| Embedded | HDMI & SDI |
| Time of Day | Yes |
| Reference / Genlock Input | No |
| LTC | No |
| Wireless AirGlu | |
|---|---|
| RF Server and Client | Yes |
| BT Server | Yes |
| Resolution & Frame Rates | |
|---|---|
| RAW | Up to 6Kp60/8Kp30 |
| 4K DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4K UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI | 2048 x 1080 |
| 1080p | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| 1080 PsF | Converted to P and looped out PsF |
| 1080i | 50/59.94/60i |
| 720p | 50/59.94/60p |
| Supported Media | |
|---|---|
| CFexpress | Atomos certified CFexpress Type B media |
| USB | Atomos certified USB 3.0 media |
| File System | |
|---|---|
| Format | ExFAT |
| Codecs | |
|---|---|
| Apple ProRes RAW | ProRes RAW, ProRes RAW HQ |
| Apple ProRes | LT, 422, 422 HQ |
| Avid DNxHD | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR | LB, SQ, HQ, HQX |
| H.265 | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| Playback | |
|---|---|
| Playlist | Yes, create custom playlists from full or sub-clips |
| Loop | Yes, with user-customizable in/out markers |
| Apple ProRes RAW | Yes, recorded clips |
| Apple ProRes | Yes, with linear PCM audio |
| Avid DNx | Yes, with linear PCM audio |
| H.265 | Yes |
| Recording | |
|---|---|
| Pre-roll | ProRes, DNxHD only |
| Timelapse | Yes |
| Simultaneous Proxy Record | Yes |








